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Step-by-Step Process for Assembling Your Home Karaoke Kit
The karaoke system is the heart of your future karaoke corner. Each model is suitable for its own range of tasks. The Evobox version is a basic home system at an affordable price. The Plus version contains an extended database of songs. Below you can select the Studio Evolution karaoke systems recommended for home use:
The most frequently asked question when using a karaoke system at home is “can I sing in a home theater?” The answer to this question is rather ambiguous. Of course, you can sing, but there are some “BUT” that do not allow to fully reveal the full potential of the karaoke system. Of course, even at home, we recommend using speakers that are more suitable for karaoke performance, the so-called “Pro” series.
The main differences between the Pro series and the Home series are:
In professional equipment, special emphasis is placed on the absence of a delay in the audio signal. In home equipment, this problem is quite common: we speak into the microphone, and from the speakers we hear ourselves in half a second. At first glance, the value is not large, but when performing a song it is very noticeable, both for the listeners and for the singer himself. Not all home systems show the effect of delay, but when organizing karaoke at home with a connection to a home theater, you should pay special attention to this problem.
As a rule, the power of home speaker systems is not enough for comfortable playback of karaoke. For the most part, even the most powerful home speaker systems are inferior in (real) sound power and volume level to professional speakers, even average power. Often, when performing a song through a home sound system, the voice of the performer himself, live, sounds louder than the voice from the speakers.
Typically, during karaoke parties, the volume control of the receiver is fixed at “MAX” or so. Home sound systems are not designed for long-term sound reproduction at maximum volume and the speakers themselves, especially high-frequency ones, are very sensitive to overloads, even short-term ones. For example, from a microphone that has fallen to the floor. Professional systems, on the contrary, are designed for long-term sound reproduction at a level close to the maximum.
